View: Malayalam superstars Mammootty and Mohanlal have done little of note to stem the rot in the industry

The Malayalam film industry, often celebrated for its rich storytelling, strong character development, and artistic excellence, has produced a plethora of talented filmmakers and actors. Among these luminaries, Mammootty and Mohanlal stand out as two of the most influential figures in this cinematic landscape. Their contributions have been pivotal in shaping the industry over the past few decades; however, as we delve deeper into their careers and the current state of Malayalam cinema, one cannot help but question whether these superstars have made significant efforts to address some of the systemic issues plaguing the industry. The emergence of Mammootty and Mohanlal in the late 1970s and 1980s marked a golden age for Malayalam cinema. Each actor brought a unique flavor to the screen—Mammootty’s deep voice and intense performances often contrasted with Mohanlal’s charismatic presence and ability to portray a range of emotions seamlessly. Films such as Oru Vadakkan Veeragatha, Kireedam, Dr. Pasupathy, and Mazhavil Kavadiyattam remain etched in the memories of audiences, and their combined filmography boasts numerous awards and accolades, both national and international. These superstars have been instrumental in elevating Malayalam cinema’s status, drawing attention not just within India but also on global platforms. They have paved the way for future generations of filmmakers and actors, often providing mentorship and support to budding talent. Nonetheless, while their individual contributions to cinema are immeasurable, it is crucial to examine whether their influence has translated into meaningful change for the industry as a whole. As the years have progressed, the Malayalam film industry has grappled with a myriad of challenges. From an over-reliance on formulaic storytelling to the dominance of commercial pressures associated with box-office success, the industry is experiencing a phase that many argue is detrimental to its creative soul. Additionally, the rise of digital platforms has shifted audience expectations, leading to a demand for innovative storytelling that often seems at odds with traditional commercial cinema. Moreover, the industry has struggled with issues related to nepotism, lack of funding for independent projects, and the need for a more inclusive approach in storytelling. These challenges have culminated in a scenario where, despite the presence of bright young filmmakers and actors, the overall quality of output tends to be uneven. Many observers have posited that Mammootty and Mohanlal, as the reigning icons, carry a certain responsibility to address these issues proactively. Mammootty and Mohanlal have both delved into more experimental projects over the years, attempting to push the boundaries of traditional cinema. Films such as Chocolat (Mohanlal) and Peranbu (Mammootty) exhibit their willingness to engage with diverse themes and narratives that challenge societal norms. Furthermore, both actors have been proactive in their productions, with Mammootty’s Ningalkkum Akam Kodeeswaran and Mohanlal’s banner, Aashirvad Cinemas, producing a variety of films.